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Over
the next few years, as movie goers will continue to enjoy films
in theatres, the quality of their experience will change drastically.
Causing this is a major shift in the film industry's business model
for production and distribution of movies. As more and more movies
are shot on digital equipment, post-production services and video
editors are using digital workstations for processing and editing.
Digitally, they create special effects, add graphics and titles,
and turn raw material into a finished product.
Digital movies are of advantage for everybody involved
with making or watching films. Unlike celluloid, a digital file
will not wear out after repeated viewing-it's always in mint condition.
There is no fading or scratching. The files can be transmitted quickly
via satellite or other high-speed connections; nobody must wait
for the slow distribution of limited copies of a film on tape. Theater
operators can show any digital movie to as many people as want to
see it, as many times as they like. They don't need to turn audiences
away or play a less than popular movie to an empty house. As a result,
they may be able to increase their revenue. Cinema operators do,
however, need to make the investment in digital projection equipment
and servers. In Europe , China and India , many operators are converting
to digital format this year. The momentum in the United States is
a little slower, but expected to catch up as audiences learn to
expect the improved image and editing quality of digital production.
A new way of editing movies
Superior editing capability, even for independent
film makers and smaller post-production companies, is another major
benefit of the digital movie format. In a digital file, it is much
easier than in a film to insert special effects, subtitles and graphics,
or to adjust colors and frames. Digital processing specialists use
video workstations in a process called "non-linear editing." Traditional,
linear editing works by copying and manipulating film in one tape
deck to film in another deck. Non-linear editing lets the editors
manipulate and move sections of film freely, usually based on to
the movie's timeline. In any digital shot, non-linear editing can
modify the images with much greater precision and control than could
ever be possible with linear editing.
The productivity, efficiency and profitability
of non-linear editing depend to a high degree on two factors: the
ease and efficiency of working with the often very large data files,
and the cost-effectiveness of the editing equipment. Both of those
factors, in turn, are impacted by the hard drives in the digital
editing workstation.
Enter Enhance
Technology , a data storage systems provider headquartered
in Santa Fe Springs , California . Close to 60 percent of Enhance
Technology's customers are involved with digital editing. To support
its customers more effectively, enhance Technology designed a new
product, the UItrastor 16, and tested its performance in non-linear
applications on Windows workstations. Ultrastor 16, released in
April 2004, includes 16 Serial ATA drives from Seagate Technology.
The overall results of the benchmark tests compelled Luis Rodriguez,
Enhance Technology product manager, to state, "By now, I have no
doubt that Seagate Serial ATA will help revolutionize the media
storage industry."
Seagate's industry leadership delivers
Serial ATA drives early
Seagate Technology is a founding member of the
Serial
ATA Working Group and the first to supply Serial ATA
(SATA) drives to the industry. Designed to replace parallel ATA
drives with a new interface, Serial ATA drives deliver higher performance,
increased reliability, and better cost-effectiveness than their
precursors. With redesigned serial cables and connectors, SATA drives
also provide systems builders with superior flexibility in creating
effective storage solutions for their customers. It is noteworthy
that Seagate SATA drives are truly native, meaning that the drive
controller electronics use SATA protocol throughout the drive, as
opposed to translating SATA to parallel ATA protocol at the drive
interface.
Serial ATA drive capabilities include the following:
- Native Command Queuing (NCQ) increases performance-by as much
as that of a 10K SATA drive-and reduces the wear and tear on
discs through implementing an internal queue that allows for
multiple outstanding commands, which can be rescheduled or reordered.
- Cyclic Redundancy Checking (CRC) integrates on both the command
and the data packet level for increased bus reliability.
- Deferred Spin stages the power-up process of each drive to
avoid significant power drainage to the system power, an important
feature in bulk storage devices.
Native Command Queuing and Deferred Spin were offered
by Seagate Technology before any of its competitors did.
Verifying the value of SATA for high-definition
video editing
Asked why Enhance Technology used Seagate SATA
drives for its new system, Tinno Chen, Director of R&D, explains,
"Consistently, Seagate has delivered the best levels of reliability
and performance in its products. When they came out with SATA, it
was only natural for us to jump on the opportunity to help users
become more productive and save money." Rodriguez adds, "Seagate
was wise enough to see very early in which direction drives needed
move, and their strategy was a perfect for the needs of our video-editing
customers."
To test SATA performance, Enhance Technology set
up a typical high-definition, non-linear editing environment on
the Microsoft Windows platform. Tinno Chen and his team conducted
the SATA performance tests using a Liquid Chrome system and benchmark
parameters from Pinnacle Micro, a leading provider of optical storage
systems. 16 Seagate 250GB SATA drives were configured in two aggregated
RAID 5 arrays. The Fibre Channel host bus adapter for the tests
was supplied by QLogic.
The testing took place over several days. In typical
high-definition video editing tasks, editing file sizes tend to
be between 200MB and 300MB large. Enhance Technology tested using
a wide range of file sizes between 4MB and 5000MB, and block sizes
of 64KB, 512KB, 1024KB and 2048KB. The testers established performance
measures for linear reading, random reading, and linear writing
of the SATA drives. Average disk usage was for play, ranging from
27 percent to 47 percent, and record, at a consistent 11%.
The following table shows only a few of the values
produced and maintained during the testing process:
File Size |
Block KB |
Linear Read
MB/second |
Random Read
MB/second |
Linear Write
MB/second |
4MB |
512 |
263.4 |
308.2 |
183.7 |
1024 |
266.2 |
305.9 |
194.4 |
24MB |
512 |
265.2 |
311.9 |
183.7 |
1024 |
266.6 |
307.7 |
194.4 |
100MB |
512 |
263.3 |
312.6 |
183.9 |
1024 |
267.7 |
309.8 |
194.9 |
500MB |
512 |
265.2 |
312.1 |
177.5 |
1024 |
267.9 |
311.2 |
192.2 |
1000MB |
512 |
265.7 |
207.2 |
175.9 |
1024 |
269.3 |
281.5 |
190.0 |
5000MB |
512 |
254.3 |
293.4 |
182.3 |
1024 |
250.4 |
282.9 |
192.2 |
"With these strong results in hand, we want to
show what the performance will be like on an Apple Macintosh platform,"
says Chen. Enhance Technology will conduct a similar series of benchmarks
using a Final Cut Pro video editing workstation running on the Mac
operating system.
Why Seagate SATA makes good business sense
for systems providers and the film industry
The video editing industry has been using mostly
SCSI and parallel ATA drives, and systems providers as well as users
are reluctant to abandon a reliable, working solution unless they
are offered compelling advantages. Enhance Technology feels that
the new Seagate SATA drives may lead to dramatic changes in the
way digital films are created, produced and stored. Near-line editing
workstations today can cost from approximately US$25,000 to $50,000.
SATA drive technology offers significant flexibility in lower-end
systems while keeping their costs down. Customers can still use
SCSI drives for higher-end performance needs. "Systems providers
can now offer video-editing workstations with SATA-based storage
systems that give you a higher performance than Parallel ATA-at
a fraction of the cost of the higher end systems," says Luis Rodriguez.
In addition to the SATA features already mentioned,
hot plugging was attractive to Enhance Technology and its customers.
Users can swap out SATA drives without powering down the entire
system. Parallel ATA is not designed to accommodate hot plugging.
"It happens sometimes," Tinno Chen says, that users need to replace
a drive in a hurry. When you're working under a tight deadline,
it helps if you can do so without completely interrupting your work.
This is definitely a situation where Serial ATA helped us overcome
a limitation of Parallel ATA, and it means a great deal to customers."
The economy of high-end video editing may well
be transformed by the availability of Seagate SATA drives. Digital
film editing is a crowded and highly competitive field. Post-production
service providers are always under pressure to squeeze in more projects
in less time, and with smaller margins. Now, with SATA drives, they
may be able to offer their clients high-quality work at a very reasonable
cost, and can get as much or more work done as they did when they
were using legacy drive interface technologies. The improved affordability
of Seagate SATA drives may also make it easier for independent and
emerging film makers to complete their editing processes and get
their work in front of audiences. Which means that, as a movie buff,
thanks to Seagate SATA drives, you may have a lot more to look forward
to as cinemas adopt the digital format. |
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